Archives de la catégorie ‘Theory’

The little story of musical notation 2/4

Theory | Pas de commentaire

During the first episode of this little story of musical notation, we were mainly focused on Greeks. Following this tradition, the western medieval musical notation was first alphabetic. Octaves were labeled in uppercase and lowercase letters: The uppercase letter (A) indicated the first octave, the lowercase letter (a) the second one, the doubled lowercase letter [...]

The little story of musical notation 1/4

Theory | Un commentaire

I’ve always been interested in musical notation and its evolution. I’ve so decided to share this center of interest with you and write this little story of the musical notation in five parts.
For several thousand years, music was mostly handed down verbally without leaving a written trace. Regardless, since the origin of writing, it is [...]

Musical Aesthetics

Theory | Pas de commentaire

Often I see my collegues being surprised when we pronounce certain words or names. Adorno, Badiou, Deleuze, names that should not appear in the middle of a musical discussion. However philosophy has its role in music, and has strongly influenced History of musical creation.

Musique Concrète

Theory | Pas de commentaire

Closely related to radio first studios at the beginning of the Fifties and to an emblematic figure of the electronic music Pierre Schaeffer,this music is too often forgotten as a major influence in the history of the music by introducing electronics into the contemporary classical music.

Teaching Contemporary Music

Theory | Pas de commentaire

This is a dangerous subject. I don’t intend to discus generaly about musical training and teaching but I’ll focus on the particular case of contemporary music, because it takes less place in the education than it deserves, when it’s not completely “forgotten”.
In conservatoires and universities, If you must study Beethoven’s sonatas, Bach’s fugues, [...]

Spectral Music

Theory | Pas de commentaire

The spectral music is a movement which was born at the beginning of the 1970’s with the research of Gerard Grisey and Tristan Murail. It is an aesthetic school from which, following work of their elders, several composers of the next intermediate generation draw their inspiration: Philippe Hurel, Philippe Leroux, Marc-Andre Dalbavie, Jean-Luc Herve, Thierry [...]